For the Love of Language

Wittgenstein Linguistics - CopyAnyone preoccupied with language would find Wittgenstein’s Philosophical Investigations of interest.

In his famous Philosophical Investigations, conducted throughout the 1940s, Wittgenstein explored the concepts of meaning, understanding, proposition, logic, and consciousness, among other things. By analyzing linguistic forms of expression, Wittgenstein set to understand the essence of language, its function, and its structure, and to answer the question “What is language?” Wittgenstein was interested in the logic of language, exactness, regularity and contradictions. Logic presents the order of possibilities, he argued.

“Philosophy is a battle against the bewitchment of our intelligence by means of language” (p. 47).

“The fundamental fact here is that we lay down rules, a technique for a game, and that then when we follow the rules, things do not turn out as we had assumed. That we are therefore as it were entangled in our own rules. This entanglement in our own rules is what we want to understand” (p. 50).

“Language is a labyrinth of paths,” Wittgenstein argued (p. 82).

“If language is to be a means of communication there must be agreement not only in definitions but also in judgments” (p. 88).

Wittgenstein also theorized that it’s human agreement that decides what is true and what is false in any particular language. He also explored more complicated matters like what happens in translation, and how do words refer to sensations? Is our vocabulary inadequate? He then pondered about the extent to which our sensations are private (p. 89). Later in the book Wittgenstein questioned what emotions are outside language, and what experiencing meaning versus experiencing a mental image is.

About lies, he had this to say: “Lying is a language-game that needs to be learned like any other one” (p. 90).

“Is thinking a kind of speaking?” the philosopher asked (p. 107). Is talking to oneself (internal speech) a private language?

“When I think in language, there aren’t ‘meanings’ going through my mind in addition to the verbal expressions: the language is itself the vehicle of thought” (p. 107). Wittgenstein argued that “The thoughts are already there and we merely look for their expression” (p. 108). To think and to mean are different, he explained, because meaning is not a mental activity (p. 172). Later in the book he expounded that “The mind seems able to give a word meaning” (p. 184).

Wittgenstein was intrigued by the mental processes involved in linguistic expression, and questioned whether talking without thinking was possible, and if so, what that entailed. “Speech with and without thought is to be compared with the playing of a piece of music with and without thought” (p. 109).

How do individuals communicate their mental images to others, and what methods of representation are available to communicate and exert influence? Wittgenstein was preoccupied with questions like these.

“Grammar tells what kind of object anything is,” he argued (p. 116).

“The purpose of language is to express thoughts,” he added (p. 139). And “Language is an instrument. Its concepts are instruments.” (p. 151)

“Words are also deeds,” (p. 146) and “To have an opinion is a state” (p. 151).

“A proposition, and hence in another sense a thought, can be the ‘expression’ of a belief, hope, expectation, etc. But believing is not thinking,” he clarified (p. 152).

In psychology he thought that “Here explanation of our thinking demands a feeling” (p. 156).

However, “Talking (whether out loud or silently) and thinking are not concepts of the same kind; even though they are in closest connection,” he concluded (p. 217).

Wittgenstein also stressed just how seeing and interpreting are different from one another, and emphasized the importance of context in understanding human experience. “Do I really see something different each time, or do I only interpret what I see in a different way? I am inclined to say the former.” “To interpret is to think, to do something; seeing is a state,” Wittgenstein argued (p. 212).

Excerpts from Ludwig Wittgenstein’s Philosophical Investigations published in translation by Macmillan in 1953 (250 pages).

At “Meet the Authors” – Third Annual Catskills Book Festival

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Featured Poet: Danniel Schoonebeek
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On the Publishing Panel with Leslie T. Sharpe, Lillian Browne, and Anique Taylor
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Keynote Speaker: Rosie Schaap, author of the “Drink” column for the New York Times Magazine
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With the New York Times bestselling author Sari Botton
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Peg DiBenedetto with Linda Lowen
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Cookbook editor Carrie Bradley Neves

At the Union Grove Distillery in Arkville, NY on April 24, 2016

© 2016 Simona David

“Meet the Authors” – Third Annual Catskills Book Festival, Sunday, April 24 at Union Grove Distillery

WIM's Book Festival 2015Writers in the Mountains (WIM) invites you to a literary arts and community event and celebration we call “Meet the Authors,” the third in our series of annual book festivals. This year the event takes place on Sunday, April 24, from 12 noon to 4 p.m. at the Union Grove Distillery in Arkville, NY, an exciting new enterprise in the area. Union Grove is housed in a big old barnlike building featuring comfortable spaces fitted with stainless steel and copper and wood, a roaring fireplace, and the percolation of fine spirits—all making for a perfect environment in which to listen to, talk about, and think about books and writing.

The daylong event welcomes all writers and readers, artists and audience, and community members from every walk to brave the mud and chill of early spring and enjoy a warm gathering of successful and fascinating writers, illustrators, editors, educators, booksellers, and publishers from Syracuse to New York City and points between and beyond. This year’s keynote speaker is Rosie Schaap, author of the celebrated memoir Drinking with Men as well as the “Drink” column for The New York Times magazine.

Come by to shop for books directly from their authors, hear readings and peer-to-peer discussions, join in an enticing raffle (books are the prize, of course), and vote in the Best Book Cover contest.

Participating authors include Sari Botton, Robert Burke Warren, Linda Lowen, Ginnah Howard, John Gregg, Susan Wilbur, Craig Sanders, Jo Salas, Nava Atlas, Mary Lou Harris, and poet Danniel Schoonebeek, among others.

WIM Book Fair 2015 (1)

 

The program is as follows:

12:30—Poetry reading led by poet Sharon Israel. Featured Poet: Danniel Schoonebeek.

Danniel Schoonebeek’s first book of poems, American Barricade, was published by YesYes Books in 2014. It was named one of the year’s ten standout debuts by Poets & Writers and called “a groundbreaking first book that stands to influence its author’s generation” by Boston Review. In 2015, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry fellowship from the Poetry Foundation and his second book of poems, Trébuchet, was selected as a winner of the 2015 National Poetry Series and will be published by University of Georgia Press. Recent work appears in The New Yorker, PoetryKenyon Review, Tin House, and elsewhere. A recipient of awards and honors from Poets House, the Millay Colony for the Arts, and Oregon State University, he hosts the Hatchet Job reading series in Brooklyn and edits the PEN Poetry Series. His latest book, a travelogue called C’est la guerre, is forthcoming later this year.

1:30—Group discussion on the latest news and trends in publishing. Leslie T. Sharpe, who taught writing at Columbia University and was an editor at Farrar, Straus and Giroux, and now teaches for Writers in the Mountains, will talk about traditional publishing; writer and consultant Simona David will touch on independent publishing; poet, painter and educator Anique Taylor will address getting published in literary journals; and Lillian Browne, editor-in-chief of The Reporter and editor of the Catskill Country Magazine, will share thoughts about her experience with the news media and travel magazine publishing.

2 p.m.—Rosie Schaap, author of the celebrated memoir Drinking with Men as well as the “Drink” column for The New York Times magazine, will deliver the keynote address. Rosie Schaap has been a bartender, a fortuneteller, a librarian at a paranormal society, an English teacher, an editor, a preacher, a community organizer, and a manager of homeless shelters.

2:30—Carrie Bradley Neves, writer, musician, and editor (with a specialization in cookbooks) will talk about new ingredients in the cookbook scene during the “foodie” era. Other illustrated book authors will be in the spotlight.

3:30—The Bounty of Books raffle, with a prize of ten selected book titles, will be awarded (come early, tickets are limited!), and the winner of the Best Cover contest will be announced.

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Throughout the day, participating authors will read from their works and share their stories with the audience. Admission is free. For more information, visit writersinthemountains.org, or e-mail writersinthemountains@gmail.com.

Writers in the Mountains is a 501 (c) (3) not-for–profit organization with a mission to provide a nurturing environment for the practice, appreciation, and sharing of creative writing.

 

Impressions from the Woodstock Writers Festival

Woodstock Writers Festival just concluded its seventh season earlier this month: the festival took place between April 7 – 10 at various locations throughout town, and brought in writers of the highest caliber, as it does every year. This year the festival was co-sponsored by The New School, which also ran a Twitter contest throughout the duration of the festival, and asked participants to tweet their best Six Word Memoir, using the hashtag #6wordmemoir. Winners were offered the opportunity to be published on The New School’s Creative Writing program blog. Luis Jaramillo, the program’s director and author of The Doctor’s Wife, published in 2012, spoke at the festival. Jaramillo, who attended the festival for the first time this year, talked about The New School’s mission to “educate the educated.”

Read full article at Upstater.com.

Fiction Panel "What If?" moderated by Ann Hood
Fiction Panel “What If?” moderated by Ann Hood

© 2016 Simona David

 

End of Year in Publishing

Sophie McNeill from Penguin Random House summarized the five key trends in the book market in 2015, which reveal that:

books 2015

  • Print remains the most popular reading format with 63 percent of Americans reporting that they read a print book in the past year compared to 27 percent who reported they read an ebook in the past twelve months (data from the Pew Research Center).
  • Young adults are more likely than their elderly to have read a book in the past twelve months – McNeill points out that the range of successful movies based on young adult books may explain the age gap (which came as a surprise to me). Also, women are more likely to read books than men (the average woman reader reads fourteen books per year compared to nine books read by the average man reader).
  • In the first half of 2015 the trade book market when it comes to adult fiction, children’s and young adult literature, and religious presses was down 1.4% compared to the first half of 2014: $3 billion compared to $3.13. This statistic is from the American Association of Publishers, which only looks at traditional publishers, and does not include self-publishing. Children’s and young adult literature recorded the sharpest decline (12.3%).
  • According to the American Booksellers Association independent bookstores are coming back: according to the ABA the number of independent bookstores increased 20 percent from 2009 to 2014  (from 1,651 in 2009 to 2,094 in 2014).
  • 50 percent of Americans own a tablet or an ereader for reading digital content. It is expected that more and more Americans will shift from tablets to smartphones in the coming years. Read more about these findings here.

Mark Coker from Smashwords released his predictions for 2016, and these include:

  • Independent (in other words self-published) ebook authors will continue to gain market share at the expense of large publishers because indie titles are priced lower, and because indie authors move faster, and are creative when it comes to marketing and distributing their titles, among other reasons. According to Coker, “every year readers are spending more hours reading books from indie authors.” Also, according to Coker “more traditionally published authors will continue to experiment with self-publishing.”
  • Amazon Kindle Unlimited and KDP Select programs have trained readers to expect free ebook downloads, and this will have long-term ramifications not just for the self-published authors, but according to Coker for traditional publishers and traditionally published authors as well, and of course for the Amazon’s retail competitors.
  • According to Coker, the overall market for ebooks will shrink in terms of dollars, but will increase in terms of units.
  • Print won’t go away. Print books represent approximately 70 percent of the market today. Coker says that “for many readers, print is the gateway to digital.” He also writes about the importance of brick-and-mortar bookstores, and about Amazon’s plans to open a brick-and-mortar bookstore in Seattle.
  • Preorder usage will dramatically increase in 2016, according to Coker. Read full article here.

As mentioned in Coker’s article, Amazon did indeed open its first brick-and-mortar bookstore in Seattle back in November. The store, called Amazon Books, is located in University Village. Read article here. Amazon Books plans to use its huge database to stock its shelves; it will look at reviews from millions of readers, but also at staff-favorites, among other sources. Thomas De Monchaux wrote about Amazon Books for the New Yorker.

Amazon is not only the world’s largest bookseller, it’s also an important publisher. Launched in 2009, Amazon Publishing owns 14 imprints, and publishes both fiction and non-fiction books. Through AmazonCrossing, launched in 2010, the company publishes translated books. AmazonCrossing committed $10 million over the next five years to works in translation. Read more about Amazon Publishing here. Read more about AmazonCrossing in this article published by Alex Shephard in the New Republic.

Happy New Year, and Happy Publishing!

Simona David

 

Writers in the Mountains at the Andes Roundtable

WIM Self-Publishing Class
WIM’s Self-Publishing Class

Writers in the Mountains (WIM) invites you to the Andes Roundtable, Wednesday, October 7, 2015 at 7 pm. The event is held at the Hunting Tavern, on Main Street in Andes, NY. Attendees will learn about WIM’s mission and programs, hear some of the region’s best writers, and have a conversation about the role of arts and letters in the Catskill region.

Writers in the Mountains (WIM) is a literary organization founded twenty-three years ago in Roxbury. Over the past two decades the organization has grown to include more than three hundred writers from all backgrounds, all ages and levels of experience, writing in all genres and styles. WIM offers a variety of creative writing workshops year round throughout the entire Catskill region: fiction, poetry, memoir, playwriting, publishing, business writing, illustration, and more.

In addition to a broad range of workshops and seminars, in 2012 WIM launched an essay contest for middle and high school students in Delaware County. The essay contest encourages young writers to pursue their passion and dare to write – WIM’s motto. This year’s topic is What is your favorite music, and how does it move you?   

Additionally, in 2014 WIM ventured into yet another arena: in April 2014 WIM started a book festival for authors, publishers and booksellers in the Catskills and Hudson Valley area. In 2015 the keynote speaker was award-winning author Jenny Milchman, published by Ballantine / Penguin Random House.

Writers in the Mountains hosts The Writer’s Voice, a weekly radio program on WIOX, broadcast Tuesdays at 1 pm, and produced by poet Sharon Israel.

WIM Board of Directors includes professionals with a wide range of skills and expertise: Simona David (consultant), Sharon Israel (poet), Geoff Rogers (writer), Peg DiBenedetto (publisher), Leslie T. Sharpe (professor, author and consultant), Lillian Browne (journalist), Carrie Bradley Neves (editor), Elizabeth Sherr (professor) – all professionals with a strong vision for what the organization is and can be.

Writers in the Mountains is a 501(c)(3) not-for-profit organization with a mission to provide to the general public a nurturing environment for the practice, appreciation, and sharing of creative writing. For more information, visit writersinthemountains.org.  

Nonfiction Book Proposal Workshop

nonfiction book proposalWriters in the Mountains (WIM) announces Selling Your Nonfiction Book: The Art of Proposal Writing, a Sunday seminar with Leslie T. Sharpe, June 7, 1 to 4 pm, at the Andes Public Library.  In three information-packed hours, Leslie will effectively detail what it takes to write a winning nonfiction book proposal, illustrated with several handouts. In the second half of the seminar, she will invite writers to present their projects for evaluation and input in order to best shape their own top-notch “winning” proposal.

In addition to its diversity of forms, nonfiction also offers writers (which literary fiction does not) the possibility of having an incomplete manuscript accepted by an agent or editor— accompanied by a strong proposal. The proposal—including elements such as an Overview of the book, Annotated Table of Contents, Author’s Platform and Market Analysis—is usually submitted with two or three chapters of text and is, first and foremost, a writing sample as well as a sales tool. What agents/editors look for in a proposal is strong writing with a clear and cogent presentation of the book’s subject and/or narrative arc, depending on the form, and a persuasive rationale forwhy the book should be published, and why the author is the best possible person to write it.

Leslie, author, editor and educator, was a regular contributor to New York Newsday’s “Urban ‘I’” column.  Her essays and articles have appeared in the Chicago Tribune, Christian Science Monitor, International Herald Tribune, Newsday, New York Times, Psychology Today, and The Village Voice, among many othersLeslie recently finished her memoir, Our Fractured, Perfect Selves, and is currently at work on The Quarry Fox and Other Tales of a Catskill Summer. Wearing her editor hat, Leslie wrote Editing Fact and Fiction: A Concise Guide to Book Editing (Cambridge University Press, 1994), a “modern editing classic”and “On Writing Smart: Tips and Tidbits,” featured in The Business of Writing (Allworth, 2012).  Now an editorial consultant, Leslie specializes in literary nonfiction and fiction and poetry. At Columbia University, Leslie was Adjunct Assoc. Professor of Writing and taught in the MFA writing programs.  She taught in City College’s Publishing Certificate Program, and in NYU’s Certificate Program in Book Publishing. Now, Leslie teaches online courses for the cutting-edge all-media website, mediabistro.com—The Nonfiction Book and Nonfiction Writing Master Class.

To register, call Jean Stone at (607) 326-4802, or e-mail her at jtstone@catskill.net. To register online, visit writersinthemountains.org, go to Register Online page, and fill in the registration form.Class fee is $35.

Writers in the Mountains is a 501 ( c ) (3) not-for-profit organization with a mission to provide to the general public a nurturing environment for the practice, appreciation and sharing of creative writing.

Literary vs. Genre Fiction

This past Sunday Writers in the Mountains in partnership with Glaring Omissions Writing Group co-hosted a panel discussion Writing Fiction Today – Literary vs. Genre Fiction: Real Distinction or No Difference at All? at the Golden Notebook bookstore in Woodstock.

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The panel discussion was moderated by Jenny Milchman. Jenny’s debut novel, Cover of Snow, earned starred reviews from Publishers Weekly and Booklist, as well as praise from the New York Times, San Francisco Journal of Books, the AP, and other publications. It was an Indie Next and Target pick, won the Mary Higgins Clark Award for best suspense novel, and was nominated for the Macavity and Barry Awards for best first novel. Her second book Ruin Falls, also an Indie Next Pick, was published in 2014 to starred reviews from Booklist and Library Journal, and chosen as a “10 Best of 2014” by Suspense Magazine. Jenny’s third novel, As Night Falls, will be published on June 30th, 2015.

Before I summarize the panelists’ remarks, allow me to make a few general considerations. Right before the panel discussion started, I googled literary vs. genre fiction. And the fastest answers I got were:

  • Literary is about explaining the world;
  • Genre is about escaping the world.

Also:

  • Literary fiction takes the awards (there are exceptions to this rule, as we shall see!);
  • Genre fiction makes the bestseller lists – it gets the money!

And:

  • Literary fiction is more about advancing the intellectual discourse;
  • Whereas genre fiction is more about playing with emotions.

Last November Joshua Rothman from The New Yorker wrote A Better Way to Think About the Genre Debate (you can find full article here). Rothman pointed out that contrary to the general belief that genre fiction doesn’t get nominated or receive literary awards, Station Eleven, a dystopian novel by Emily St. John Mandel, made it in fact among the fiction finalists for the National Book Awards last year. Rothman also pointed out that novels such as Dostoyevsky’s Crime and Punishment are both literary and genre fiction.

Now going back to last Sunday’s panel, here is what the panelists had to say.

Alison Gaylin

“I just like to write a good story. Booksellers find the distinction helpful to know where to shelve a book. And also publishers find it helpful to know how to market the book. There are many genres: romance, thriller, sci-fi, etc.”

Gaylin, a USA Today and international best-selling author, received an Edgar nomination for her first book Hide Your Eyes. Her Shamus Award-winning novel, And She Was, was also nominated for the RT award, the Thriller and Anthony awards. In addition to her six published crime fiction novels, she’s published the Young Adult mystery Reality Ends Here (Simon and Schuster/PocketStar). Stay with Me, her eighth book – and the third in the acclaimed Brenna Spector series – was just nominated for an Edgar Award for best paperback.

Elizabeth Brundage

“I agree with Alison that bookstore owners need to know where to put the book, but it could backfire in a way. I like to call my books literary thrillers. Because I put a lot of effort in every sentence that I write. I think it’s mostly the way the books are marketed that had created this distinction. My last book Stranger Like You was marketed as a thriller, as opposed to my first two which were marketed more like general literary fiction. Stranger Like You sort of got lost, and people couldn’t find it. The distinction is not what motivates me to write; I just want to tell a good story. And I think what people like is some sort of driving narrative focus. The effort you put into character development is what makes a novel more literary – the voice of the characters and things like that.

Write a book that conveys your vision of the world.”

Brundage holds an MFA from the prestigious Iowa Writers’ Workshop, where she received a James Michener Award. Before attending Iowa, she was a screenwriting fellow at the American Film Institute in Los Angeles. Her short fiction has been published in the Greensboro Review, Witness, and New Letters. She is the author of three novels, Somebody Else’s Daughter, The Doctor’s Wife, and A Stranger Like You, all published by Viking. Her new novel, All Things Cease to Appear, is forthcoming from Knopf in 2016.

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Peter Golden

“I think this distinction became a problem for bookstores after WWII. It’s a post-war problem. Writers wrote for markets. But in the 1950s, early 1960s writers began to go to universities, and write for tenure. That was a different novel than writing for the markets. They needed different reviewers saying good things about their books. And then what happened was that people in the academia became very resentful of people in the marketplace, and vice versa. Hemingway wrote The Sun Also Rises because he wanted to become a commercial writer; he didn’t think he could make it by just writing short stories.”

Golden is an award-winning journalist and the author of six full-length works of non-fiction and fiction. His first novel, Comeback Love, was published by Simon & Schuster. Some of his work has appeared in the Detroit Free Press Magazine, Albany Times Union, New Jersey Monthly, Microsoft’s eDirections, Beyond Computing, Electronic Business, Midstream, The Forward, and Capital Region Magazine. 

Going back to Jenny Milchman, a couple of days prior to this panel discussion, she started a Facebook thread, and engaged with fellow writers in a passionate, well-argued debate. One commenter remarked that good writing is good writing, and bad writing is just that – bad writing. Another one said that he thought at literary fiction more in terms of general fiction, whereas genre fiction is a clearly recognizable genre (or maybe even a niche genre, I would add). Yet another one added that it’s become fashionable to label almost anything outside of the genre fiction as literary, and that makes the label meaningless. One commenter discussed the dichotomy ideas vs. emotions: ideas as pursued in literary fiction by those intellectually oriented, and emotions as explored in genre fiction for readers looking to have an emotional experience. Someone else summed up that this is an overrated question, and that readers don’t understand or care about.

What are your thoughts about literary vs. genre fiction?

Writing Fiction Today: Literary vs. Genre Fiction

DSC_1026Writers in the Mountains (WIM) invites you to Writing Fiction Today – Literary vs. Genre Fiction: Real Distinction or No Difference at All? Sunday, May 3 at 1 p.m. at the Golden Notebook Bookstore, 29 Tinker Street, Woodstock, NY. The event is co-sponsored by Glaring Omissions Writing Group, one of the longest-running critique groups in the Hudson Valley.

What kind of book do you like to read? What form does your writing take? If you’re like most readers or authors or poets or scribes, an answer came to your mind right away. But what happens when we begin to poke at that answer? Is there such a thing as a literary mystery? Or an experimental novel with a secret at its heart? Can a poem mystify? Moderator Jenny Milchman leads a conversation with panelists Elizabeth Brundage, Alison Gaylin, and Peter Golden as they question the foundation that lies beneath bookstore shelving, library categorization, and the ways we define words on a page. If these divisions are arbitrary–or at least miss a great deal of what truly goes on in a work–then perhaps we can come up with something better. A meaning that helps us to identify and create what we all are really after… great writing.

Jenny Milchman’s debut novel, Cover of Snow, earned starred reviews from Publishers Weekly and Booklist, as well as praise from the New York Times, San Francisco Journal of Books, the AP, and other publications. It was an Indie Next and Target pick, won the Mary Higgins Clark Award for best suspense novel, and was nominated for the Macavity and Barry Awards for best first novel. Her second book Ruin Falls, also an Indie Next Pick, was published in 2014 to starred reviews from Booklist and Library Journal, and chosen as a “10 Best of 2014″ by Suspense Magazine. Jenny’s third novel, As Night Falls, will be published on June 30th, 2015.

Elizabeth Brundage holds an MFA from the prestigious Iowa Writers’ Workshop, where she received a James Michener Award. Before attending Iowa, she was a screenwriting fellow at the American Film Institute in Los Angeles. Her short fiction has been published in the Greensboro Review, Witness, and New Letters. She is the author of three novels, Somebody Else’s Daughter, The Doctor’s Wife, and A Stranger Like You, all published by Viking. Her new novel, All Things Cease to Appear, is forthcoming from Knopf in 2016.

USA Today and international best-selling author Alison Gaylin received an Edgar nomination for her first bookHide Your Eyes. Her Shamus Award-winning novel, And She Was, was also nominated for the RT award, the Thriller and Anthony awards. In addition to her six published crime fiction novels, she’s published the Young Adult mystery Reality Ends Here (Simon and Schuster/PocketStar). Stay with Me, her eighth book – and the third in the acclaimed Brenna Spector series – was just nominated for an Edgar Award for best paperback.

Peter Golden is an award-winning journalist and the author of six full-length works of non-fiction and fiction. Peter Golden’s first novel, Comeback Love, was published by Simon & Schuster. Some of his work has appeared in the Detroit Free Press Magazine, Albany Times Union, New Jersey Monthly, Microsoft’s eDirections, Beyond Computing, Electronic Business, Midstream, The Forward, and Capital Region Magazine. 

Please come peruse a brand new gallery of books set up by the Golden Notebook, share drinks and light refreshments, and become a part of this very stimulating conversation! The event is free and open to the public. Book buying is encouraged to support our community bookstore.

Writers in the Mountains is a 501 ( c ) (3) not-for-profit organization with a mission to provide to the general public a nurturing environment for the practice, appreciation and sharing of creative writing.

Glaring Omissions Writers Group hosts a monthly reading series at the Golden Notebook.

Meet the Authors – Second Annual Catskills Book Festival

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WIM Book Fair 2015 (1)

WIM Book Fair 2015 (2)

Writers in the Mountains’ Meet the Authors – Second Annual Catskills Book Festival

Roxbury Arts Center

April 12, 2015